Defying Gravity and Genres: Oscar-Nominated Editors Reflect on Their Creative Journeys
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Before the first frame of a movie has been lensed, editor Myron Kerstein forms an impression from the words on the pages. “I’m really trying to understand the emotion when I’m reading a script,” says Kerstein, who earned his second Oscar nomination in film editing for his longtime collaborator Jon. M. Chu’s “Wicked” adaptation. “If […]
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